by Andrea Beaty
About the book:
Lily has read every Nancy Drew book in the library. She’s good at spying and keeping secrets. She has to be. She has secrets of her own that no one can ever find out. When summer brings lying, stealing Tinny Bridges to town, lily must depend on her wits to keep ahead of this sly newcomer. Tinny takes candy from the general store and blames Lily. She tries to steal Lily’s friends and even her father’s affection. Worst of all, she seems to know Lily’s secrets. When Tinny goes missing, only Lily has any idea what happened to her. But for Lily, finding Tinny means confronting her hidden past. In one unusual summer, Lily Mathis will have a chance to solve a mystery, make a friend, and most important, find forgiveness.
About the author:
Andrea Beaty was raised in a small southern Illinois town, where her family ran a tiny grocery store. When she wasn’t roaming the nearby fields with her brothers and sisters, she was reading Nancy Drew mysteries up in the branches of a maple tree. Andrea now lives outside Chicago with her family. She is the author of When Giants Come to Play, illustrated by Kevin Hawkes, and Iggy Peck, Architect, illustrated by David Roberts. Andrea blogs about funny books for kids at www.ThreeSillyChicks.com Learn more about her at www.AndreaBeaty.com
What comes first for you- the story or the character?
When I first started writing, I was more concerned with the story. I came up with ideas that I thought were clever and then tried to find someone to live in them. More and more, though, character is driving my books and I think that's more natural.
With CICADA SUMMER, the story arrived in full-formed scenes that were entirely out of sequence. Each scene had new characters and I didn't know any of them except for Lily. She was a complete person in my imagination from the start and she was so compelling that I knew she had a good story. I trusted that she would lead me through it so I wrote the scenes as they appeared and hoped they would all make sense in the end. It was a bit spooky and very exciting when they did!
I have other books in my mind that are about things that happen, but I just can't get them started because I simply don't know WHO lives in them.
How do you know when an idea is a GOOD idea?
When I feel the story as strongly as I do one of my own memories, then I know it's good. Then, the process of writing gets easy for me because all I have to do is write what I see and transcribe what's said by the characters. It makes me feel a bit like an eavesdropper, but I'm kind of nosy, so it's okay with me!
What is the best piece of writing advice you ever got?
I learn something every time I hear an artist (writer, painter, actor . . .) talk about their process. One of the best pieces of technical advice I've ever heard came from Linda Sue Park who talks about writing scenes and always making sure that each scene points back to something that has happened and points forward to something that will happen. It's great advice.
I like Stephen King's advice about wrting in the same place every day so your muse will know where to find you. That's good advice. My muse sometimes runs off to Greece and Italy. When she returns, she brings lovely, lovely olives. I'd hate to miss out on those by being somewhere else!
Lily (the main character) has secrets. What do you think are her secrets? Do you think everyone has secrets? Do you think her secrets will be revealed?
Write one of the following letters:
From Tinny to her father after the close of the book
From Lily to Pete
From Miss Opal to Lily
From Lily to her Dad
Andrea Beaty’s writing is full of delicious descriptive details. An example:
“The women’s stories are full of details, like who is related to who and where people live and what their houses are like. Their stories are all connected to each other and to the things that happened in the past.
Sometimes, when the store is crowded, there are four or five stories going at the same time, and the women’s voices swirl around in the air and bubble up and splash like water on the rocks. The sound is smooth and sweet.” (p. 44-45)
Describe the way the cafeteria or other place sounds where there are many children talking inspired by Andrea Beaty’s example.
Good readers always make predictions as they read. They base these predictions on several things: evidence in the story, what they know about how stories work (like mysteries always have clues that don’t help solve the riddle), and based on the actions of the characters and how they are likely to respond. As you read Cicada Summer write a question at the end of each chapter about what might happen next. An example from Ch. 1: Will Lily ever talk again?
Just like Lily keeps a log about everything she learns about Tinny by eavesdropping, keep a list of facts you learn about the following characters as you read the novel.
Create two pieces of art. One should be about Lily and the other Tinny. You can create your pieces in any media you prefer (paint, sculpture, collage, etc.) but explain your choices in color, media and form in a brief artist’s statement which you turn in with the projects.
Create a pamphlet, poster or powerpoint presentation about the life of the cicada or other summer creature.